制作In Italy

的“可悲的潜台词制作Italy”比我们在屏幕上看到更多有趣而凄美。

Father and son连姆·尼森and迈克尔·理查森扮演父亲和儿子谁最终强迫自己敞开心扉,他们悲痛的妻子/母亲,谁在车祸中死了大约二十年早些时候的损失。在现实生活中,演员遭遇了类似的悲剧时尼森的妻子和理查森的母亲,娜塔莎·理查森, died in a skiing accident in 2009.

The parallel is inescapable, giving “制作Italy” an undercurrent of sorrow, despite the sun-dappled Tuscan scenery and the ill-advised attempts at wacky physical hijinks. But in making his feature writing and directing debut, longtime actor James D’Arcy has come up with a visually appealing yet emotionally inconsistent film. His story is filled with contrivances and arbitrary deadlines to get big things done, and his supporting female characters are little more than one-dimensional props to help move the story along. And while D’Arcy fares far better with the dramatic moments than the comedic ones, that’s mainly because the veteran and venerable Neeson is up to the task of heavy lifting; Richardson, unfortunately, can’t quite keep up and weirdly seems miscast, despite the resemblance to his famous father. (Richardson also played Neeson’s son last year in the revenge thriller remake “Cold Pursuit“。)

我们第一次见面理查森的杰克。他经营着一个时髦的伦敦艺术画廊,似乎是在他的工作相当不错。所以,当他在努力,谁也恰好是他的妻子,谁的伴侣离婚,他-宣布她的家人正在销售的画廊,他想出了一个计划,把钱找给她购买。他会出售托斯卡纳别墅这一直是他已故的母亲的家族世代。它只是坐在那里,空荡荡的,除了一些打包外卖的家具和所有那些痛苦的回忆。但他需要帮助,从他疏远的父亲解决了这个地方,并把它准备清单。

尼森的罗伯特是一次有前途的艺术家是谁失去了他的创意火花。我们知道这是因为各地的工作室的罗伯特乱照相机平底锅到墙壁上的有益上涨的报纸文章的标题与他宣布作为艺术世界的未来。达西的脚本功能很多,那种博览会和手把手的。在他们的客场之旅Italy,两人很快陷入同一种戏谑的,他们一直有,这是说,没有。即使尴尬闲聊迅速消散。

但是,在任何时间,欢快音乐伴随着他们的旅程到阳光明媚Italian农村。当他们放松一下,彼此得到重新认识,罗伯特显露自己的粗暴和兰迪,而杰克是甜蜜和浪漫。极其淡化特殊才能尼森和理查德森都坚持做是依稀的(并不亚于)的乐趣摩擦Sean Conneryand哈里森·福特perfected in “圣战奇兵。”

Naturally, the house is in a far worse state of disrepair than they’d expected when they arrive. (The greatLindsay Duncanhas some amusing moments as the uptight real estate agent who gives them tips on whipping it into shape.) But the nearby town is beyond adorable—the kind of place you’d expect to see Elio and Oliver blissfully riding their bicycles and calling each other by their names—which might put the seed of an idea in your mind that, hmm, maybe these guys won’t end up selling the house after all. Everybody knows everybody, and at night they all gather in the square to drink red wine and watch old, black-and-white movies under the stars.

在天堂的这一小片的中心是方便单纳塔利娅(瓦莱里娅比莱洛), a chef who runs a quaint restaurant that’s the neighborhood hot spot. Natalia is impossibly beautiful and charming as well as a playful and warmhearted mom to an eight-year-old girl. And yet her entire raison d’etre in “制作Italy” is to make Jack face his long-suppressed feelings about his own mother and his childhood in this magical place.

“我不认为我知道如何去伤心,”杰克说,他紧锁的眉头,理查德森的去到设备。But when the eventual breakthrough comes for both father and son—when they finally hug and cry and release years of pent-up despair—there’s enough inherent emotion in that moment that D’Arcy didn’t have to smother it with a dramatic score and needless edits. This scene in particular highlights that while Richardson may have a fine screen presence, he’s not nearly up to Neeson’s level of technique and experience, and the disparity is distracting. Then again, Richardson doesn’t have a lot to work with because there’s not much to his character.

不过,如果你坚持在家里,需要逃生(甚至快哭)的“制作Italy”可能工作得很好。连绵起伏的丘陵和蒙塔尔奇诺,在电影拍摄中,辐射日落会让你想收拾行李,并跳上飞机,现在比以往任何时候。

Now available in select theaters and on digital platforms.

克里斯蒂·勒迈尔

克里斯蒂·勒迈尔是YouTube的电影评论节目协办“什么轻弹?”克里斯蒂审查美联社电影超过14年。你可以找到克里斯蒂的在ChristyLemire.com写作。她也是在Twitter @christylemire和Facebook在https://www.facebook.com/christy.lemire2。Read her answers to our Movie Love Questionnairehere

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