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为什么Harakiri是有史以来最伟大的反武士电影

Masaki Kobayashi.Harakiri“说明了武士代码,作为隐藏在荣誉外观和原则后面的缺陷的系统 - 这是无可责任的,这是有史以来最伟大的反武士电影。它仍然在半个世纪仍然击中了一个神经,因为它是典型的反建筑电影;只要世界各地存在的专制政权,电影将永远是相关的。当然,它确实有助于Kobayashi的“Harakiri”中的图像与信息本身有效。

The 1962 film has many striking shots, but perhaps the most symbolic are in its opening and closing sequences, in which we see a samurai armor clearly displayed with reverence and admiration. It symbolizes the feudal system, but beneath the glorious surface is complete emptiness; the lifeless armor is devoid of anything human.

政治虚伪是Kobayashi杰作的核心的想法,即使这部电影在日本1630年,其主题是普遍的。无论您是谁,或者您所在的地方都没关系 - 我们都出生于影响我们的思想,决策和行为的系统。通过我们从各种来源学习的原则来解除在我们中,将道德上可接受或不可接受的行为的各个伦理守则估算,成为宗教或政府的原则。然后,我们盲目地遵守规则,因为它是在某个时间和地点实施的系统。

然而,我们的道德指南针的基础可能会改变第二种我们面临的伦理困境,这些困境挑战我们认为正确或错误的一切。这正是“Harakiri”主角发生的事情。在两个道德原则互相攻击后,武士最终对系统中的武器竞争,武士守则和家庭的代码。

每次我重新审视“harakiri”,我发现自己敬畏Tatsuya nakadai.作为Hanshiro Tsugumo的表现,甚至是最好的工作toshiro mifune.. When Tsugumo arrives at the estate of the li clan requesting to commit seppuku at the courtyard of their palace, we are immediately hooked by his calm demeanor. His presence is monumental.

Seppuku, or hara-kiri, is an ancient Japanese ritual suicide in which a samurai practices self-disembowelment. It was considered to be the most honorable method of taking one’s own life. The proper method is to plunge a dagger into the stomach, then drag the blade across to the right side, and turn it upwards to ensure a fatal wound. Since the act itself rarely results in instant death, a kaishakunin is appointed to behead the individual after the act is committed to relieve the samurai from the agony.

When the head counselor of the palace hears of Tsugumo’s request, he thinks it’s a bluff. He then shares a tale of another ronin named Chikiwa Motome, who came with the same request a few months prior. To reveal anything more about this would only spoil the experience; spoilers follow for the rest of the film, which is one of those films that the less you know, the better.

Shinobu Hashimoto’s brilliant screenplay goes back and forth in time, and Kobayashi executes the narrative structure with razor sharp precision. There’s not a single moment, line, or shot that feels out of place. The way Kobayashi handles the nonlinear storyline is nothing short of mesmerizing. To sustain this level of intensity with almost no action scenes is truly fascinating.

情节当主管顾问回忆说复杂了the story of “the bamboo ronin.” After the three of his most senior samurais suspect that Chikiwa Motome is only here for a few coins, they humiliate him, and force him to commit hara-kiri with his fake bamboo sword. Even compared to today’s standards, this entire sequence is very hard to watch. Motome is initially portrayed as a weak and cowardly samurai with no honor or dignity, but as the story progresses, the truth is slowly revealed, and the viewer begins to see Motome in a new light. Here lies the genius of Hashimoto’s impeccably structured screenplay. It unfolds in a way so that the more insight we get, the more compassion we feel towards the characters. The cowardly samurai is actually a brave family man who risked his own life for their survival.

在第三行动中,难以忍受的张力爆炸以雄辩的方式爆炸;武士没有什么可失去的,释放对李族的暴力,肢解和混乱的抨击。Kobayashi的电影摄影师Yoshio Miyajima,射击了与优雅和优雅的战斗场景。在一点,宫吉玛甚至让他的相机远离行动,我们只听到了毁灭性的人的哭声。

One of the most powerful moments in all of cinema is in "Harakiri," when Hanshiro Tsugumo denounces the code after it ruined his life. I often find myself thinking about what it would take for someone to condemn the very thing they believe in most. When things get personal and one is faced with a personal dilemma that goes against the very core of their belief system, any fanatic devotion to that code collapses instantly.

生活中的任何重要事项比任何政府系统或权力所强制的任何严格代码更重要。“Harakiri”认为,致力于荣誉准则,比人类本身更具价值,因为即使是武士代码,也应该看起来像似乎,那么永远不应该被举行,而不是以基本为基本的基本作为人类的人。

如果“Harakiri”已经在决赛中与战斗场面结束,那么它仍然是一个非常好的电影,但这是电影的最后时刻提升到伟大的时刻。SAITO,HEAD辅导员询问了伤亡,并立即开始重写叙述。他不能允许言语来走出饥饿的罗宁拿出他们最好的保持者。他要求Tsugumo的死亡作为一个适当的仪式自杀。对其他伤亡的死因被记录为相关的疾病。在听到消息后,幕府向氏族及其武士致敬,用于实施武士士的代码,并使用它们处理自杀虚张道的方式设置示例。

The film’s last shots are that of the samurai armor. It is beautifully displayed once again, as if nothing happened. Any potential threat to the system in place has been eradicate from the history books. The image of that armor will always be seared in my mind as a symbol for all corrupt authoritarian regimes around the world. How many incidents, stories, and people have been erased from collective memory, in order to preserve the image of those in power?

现在在标准频道上玩。

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